Vanishing

A printed atlas and digital experience exploring the many faces of disappearance.

IUAV University of Venice, Venice (IT), 2014

Two-panel image: the Vanishing atlas black hardcover with its chapter index in white diagonal text, alongside a hand over a MacBook keyboard displaying the colourful 3D animal extinction data visualisation.

The overview

Vanishing is an editorial and digital exploration of disappearance across six distinct lenses: Camouflage, Physical Identity, Anonymity, Languages, Extinction, and Universe. Developed as part of the Atlas project at IUAV University of Venice, the project uses information design and visual narratives to make dense, abstract concepts entirely tangible and readable.

The digital extension focuses heavily on animal extinction across three interconnected pieces. A data sonification translates the grim realities of the IUCN Red List into a sound timeline, where animal classes are assigned distinct notes and repetitions reflect endangerment scales. An interactive 3D visualization, navigated via Leap Motion gestural tracking, plots all 14,448 endangered species in a virtual space where depth maps directly to extinction risk, backed by a generative audio layer that responds to user exploration in real time. Finally, a companion web app anchors the experience, providing the necessary data and information.

  • Screenshot of the 3D interactive extinction data visualisation on a laptop, showing 14,448 endangered species plotted as coloured geometric shapes in a dark virtual space, with species names and a legend visible`
  • Close-up of a hand using Leap Motion gesture control above a laptop keyboard, navigating the 3D extinction visualisation on screen, with species names and coloured shapes visible`
  • A person’s hand resting on top of a Leap Motion device near a MacBook trackpad while the screen shows the colourful extinction data visualisation with geometric shapes representing animal species.
  • Laptop displaying the companion app’s onboarding screen for the 3D extinction visualisation, with illustrated hand gesture diagrams explaining Z-axis and X/Y-axis navigation controls, and a caption reading “Moving your hand, you can control the camera inside the visualisation”.
  • Three Android smartphone screens showing the Deep into the Animal Extinction companion app: the first displays a navigation instruction with a hand gesture diagram, the second shows the species legend (Mammals, Birds, Amphibes, Fish), and the third shows a species detail page for the Amur Leopard marked as critically endangered.
  • Laptop showing the companion app species detail page for the Wyoming Toad (Anaxyrus baxteri), with a white skeletal illustration, an “Extinct in the wild” status bar in red, a US map highlighting Wyoming, and species data including taxonomy, threats, and description.
  • Laptop showing the companion app species detail page for a great white shark, with a white anatomical illustration on a dark background, a threat-level colour bar, and a world map indicating its range.
  • Laptop displaying the companion app detail page for the Amur Leopard (Panthera Pardus Orientalis), showing a white skeletal illustration, critically endangered status bar, geographic range map, and taxonomic data on a dark background.

The work

I managed everything end-to-end from the initial conceptual framing of each spread and digital experience down to the final visual output of both. For the printed atlas, I took care of the whole layout, typography, illustration, and data viz, all while wrestling with the savage but beautiful constraint of a shared, two-color Risograph framework.

The digital expansion was an entirely different beast where my role spanned concept, visual direction, and interaction design. We were building three wildly different components, with each demanding a completely distinct UX approach. My job was to shape the visual and experiential logic for all three, making sure they worked as standalone experiments while still feeling like they belonged to the same conceptual family. Three months of intense work, three people involved, three digital experiences (and one printed chapter) delivered, infinite satisfaction achieved.

  • Black screen with a thin white border and the white text “Not everything that vanishes does it silently” centred in the lower third, serving as a title card or intro screen for the sound sonification piece
  • Video thumbnail showing the extinction data visualisation paused at the year 1996, with coloured geometric shapes representing Mammals, Birds, Amphibes, Fishes, and Reptiles scattered across a black screen, with a play button overlay.
  • Still from the sound sonification piece showing the year 2013, with coloured geometric shapes spread across five animal class columns (Mammals, Birds, Amphibes, Fishes, Reptiles) on a black background.
  • Black screen with white text reading: “Every ten seconds of what you will be hearing corresponds to the animal species entered in the Red List during that year. The years are those in which the Red List was updated.”

The result

  • Art directed a print system, wrestling a strict two-color Risograph limit into a clean structure for complex data.
  • Designed a three-tier digital ecosystem, integrating data sonification, a 3D interactive data viz, and a companion web app.
  • Translated the abstract concept of disappearance across multiple themes into one cohesive physical and digital experience.
  • Harnessed gestural tracking and generative audio to let users physically navigate a virtual space of 14,448 endangered species.
  • Featured on the official Leap Motion blog for innovative interaction design.
  • Double-page spread from the Vanishing printed atlas showing the Camouflage chapter, with illustrated military vehicles, aircraft, tanks, and soldiers on the left and a full-bleed illustration of soldiers in combat camouflage on the right, printed in black and red on white.
  • Close-up photograph of the printed atlas pages showing detailed black and red Risograph illustrations of military vehicles and equipment from the Camouflage chapter, with text annotations visible.
  • Close-up of the printed Physical Identity atlas spread, showing a detailed black ink illustration of the Stalking Cat with tiger-like facial tattoos, with caption text and diagrams visible below.
  • Double-page spread from the Physical Identity chapter of the Vanishing atlas, with large illustrated portraits of body-modified individuals, data panels on modification types, cosmetic surgery statistics, and gender reassignment steps, in black and red on white.
  • Double-page spread from the Vanishing atlas showing the Anonymity chapter, with an illustration of a man looking at his phone on the left and an isometric maze-like labyrinth diagram of data networks on the right, in black and red on white.
  • Close-up of printed Anonymity and Camouflage atlas spreads layered together, showing isometric labyrinth and network diagrams in red and black, a red wireframe face illustration, and a large illustrated figure in the foreground.
  • Close-up of the printed Languages atlas spread, showing a dense red full-bleed text page overlapping white pages with isometric diagrams, endangered language maps, and data panels on causes of language loss and revitalisation.
  • Double-page spread from the Languages chapter of the Vanishing atlas, with isometric diagrams illustrating causes of language endangerment, a map of endangered languages by nation, effect and solution icons, and a dense red dictionary-style text column.
  • Double-page spread from the Extinction chapter of the Vanishing atlas, dominated by a large red-and-black illustration of an Amur Leopard with its skeleton visible, alongside an identikit data panel, cause-of-extinction icons, case studies of extinct species, and a mammoth cloning diagram.
  • Close-up of the printed Extinction atlas spread, showing red-spotted leopard fur and skeletal illustration detail, with a small world map, Amur Leopard identikit portrait, and data labels for places, habitats, threats, and weight.
  • Close-up photograph of the printed Universe atlas spread, showing a polar projection Earth map with red location markers on a black starfield background, with orbital lines, a Dead Sea diagram, and a whale illustration in the lower portion.
  • Double-page spread from the Universe chapter of the Vanishing atlas, with a polar projection Earth map on a black starfield, text panels on cosmological phenomena, and landscape illustrations of endangered places including Venice, the Amazon, and the Maldives.
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Museum visitor exploring a display case containing navigation instruments, maps, and archaeological artefacts, with a touch screen integrated into the surface.

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